![rang de basanti meaning rang de basanti meaning](https://pbs.twimg.com/media/EXpVVIAVcAcKG0q.jpg)
In this vein, the film is a portrayal of acts of sacrifice by “citizens” in two different historical periods of the Indian nation, and it says that the nation still approves of aggressive sacrifice. But it is the citizens’ and nation’s responsibility to approve or disapprove such actions. Actions of men and nations are then sold by media today as sole material for defining historical questions. An individual as a citizen or social object is persistently defined by moral, economical, cultural and scientific (or astrological) concepts, which reflect and shape the commentary on his/her actions.
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Human actions are defined in the context they are performed in and can only be logically justified by individuals performing them. The film is basically a critique of the “actions” of a group of individuals in the context of national policy and social injustice.
![rang de basanti meaning rang de basanti meaning](https://i.ytimg.com/vi/c769V25pX08/maxresdefault.jpg)
But people have greeted the film with wide approval and so it will not be trivial to learn a lesson or two from it. Therefore a film that asks for sacrifice in these mild, post-independent, “contemporary” times is a shocking anachronism. Death meant sacrifice and the message behind such films has been that India’s independence could not have been achieved otherwise. Rang De Basanti, which means “give me the colour red”, has been a popular phrase in films on India’s struggle for independence. This film caught the people’s fancy with the question it dared to ask, and further, its attempt to give a sound solution. The friends then choose to sacrifice their own lives to raise the consciousness of people to corruption and injustice. Popular Bollywood film, Rang De Basanti, juxtaposes the actions of Indian revolutionaries during the freedom struggle with the actions of a group of youths, whose friend, a fighter pilot is killed in an air crash caused by the corrupt dealings of a minister, and then kill him as an act of justice. This article analyses thereservation debate by drawing parallels between the protestingmedical doctors and the idealistic, albeit misguided, youth heroes of Rang De Basanti. Very often, a nation’s interests come to be defined by specialinterest groups, that are constructed on various parameters ofidentity: caste, ethnicity, even class.